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ARC Spotlight Artists New Releases

Forshee performs at Newseum in Washington DC

WATCH VIDEO OF ARC’s DR. ZANE FORSHEE (SOLO GUITAR) performing ‘my heart comes undone’ in front of the capital on top of the Newseum in Washington DC.

ABOUT THE NEWSEUM

The Newseum, headquartered in Washington, D.C., promotes, explains and defends free expression and, the five freedoms of the First Amendment: religion, speech, press, assembly and petition.

Since opening in 2008, more than 7 million have visited its modern building located on historic Pennsylvania Avenue between the United States Capitol and the White House. The Newseum’s seven levels of interactive exhibits include 15 galleries and 15 theaters. Among the most memorable exhibits are the 9/11 Gallery Sponsored by Comcast, featuring the broadcast antennae from the top of the World Trade Center; the Berlin Wall Gallery, whose eight concrete sections are one of the largest pieces of the original wall outside Germany; and the Pulitzer Prize Photographs Gallery, which features photographs from every Pulitzer Prize-winning entry dating back to 1942. In 2016, TripAdvisor users rated the Newseum as a “Traveler’s Choice Top 25 Museum in the U.S.”

Considered one of the most interactive museums in the world, the Newseum experience also traces the evolution of electronic communication from the birth of radio, to the technologies of the present and the future.

The Newseum reaches millions of students through its robust offering of on-site classes and workshops that meet national standards of learning. NewseumED, a free online learning platform for teachers and students, demonstrates the Newseum’s commitment to reach all who wish to better understand the five freedoms of the First Amendment and its relationship to learning and teaching history, media literacy and civics.

The Newseum Institute explores the challenges confronting freedom around the world with a variety of initiatives, including its First Amendment Center, which serves as a forum for the study and debate of free expression issues, and the Religious Freedom Center, which focuses on educating the American public about religious liberty and the First Amendment.

The Newseum and the Newseum Institute regularly host compelling programs that seek to generate solutions to some of the most pressing national and international challenges of the day. By embracing its role as a neutral forum committed to fostering open, nuanced discussions, the Newseum and the Newseum Institute engage in the central debates of our time, including the future of investigative journalism, the tensions between national security and privacy, and the role of religious freedom.

Featuring dramatic vistas of Washington, D.C., the Newseum has become one of the city’s most sought-after venues for conferences, weddings, movie premieres and special events. Two state-of-the-art television studios host programs of all kinds, which are broadcast around the world each week.

Exercising, defending and promoting freedom is crucial to protecting our way of life. The Newseum’s board, staff, volunteers, donors and corporate partners are working together to make sure the freedoms of the First Amendment remain strong and protected, both today and for future generations.

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ARC Spotlight Artists New Releases

2017: ARC Catalogue Continues Growth

On December 7, 2007, Sumi Tonooka, Erica Lindsay and Christopher Burnett endeavored to create a platform that empowered professional recording artists and composers like themselves to document their work, build a catalog of their life’s work and maintain creative and financial control of their products.

Artists Recording Collective, LLC is a GS1 US Company

They achieved that goal and continue to be successful in many unexpected tangible ways as well. Thanks for your consideration, interest, and support. Stay tuned for more exciting news as we end the year with several exciting releases and begin 2018 with more great news and music!

Categories
ARC Spotlight Artists New Releases

Four Star Review of Sam Boshnack Quintet

Sam Boshnack Quintet:
Nellie Bly Project (ARC-2772)

All About Jazz Review By PAUL RAUCH

Samantha Boshnack is more than a musician and composer. She is a storyteller who walks us through the history of things. With Nellie Bly Project, she tells the story of daredevil journalist, writer, and feminist Elizabeth Cochran Seaman (1864-1922), known by her pen name, Nellie Bly. The compositions, a four movement suite, are like a journey through the history of the struggles of women throughout American history, a struggle that continues today, and that Boshnack describes as a daily part of her existence. “Feminism is a big issue for me, it’s sort of part of my daily existence, because it’s the struggle. With Nellie Bly Project, I just thought she was such an amazing force in getting things done, when everything was against her.” Boshnack utilized a theme of cultural unity in her last project, the brilliant Global Concertos(ARC, 2016), with her ensemble B’shnorkestra, and has emerged as more than a composer, and trumpeter. Her vision of cultural and sociological unity and justice has established her as a narrative artist with a voice that needs to be heard. “I respect artists, and anybody in the public eye who can come out really strong and say all sorts of things and then take all sorts of abuse. Anybody who says anything gets a lot of attack. I try my best, but I definitely respect those who will really go out on a limb. Global Concertos and Nellie Bly Project were ways to have these activist ideas, but in a subtle way. I think sometimes if it’s subtle, you can get through,” she states.

“Energy, rightly applied, can accomplish anything” —Nellie Bly

Innocent, unaffected, and frank. These are the words used by Bly to define a “true” woman. In the opening movement of the album, “Expositions,” Boshnack delves into the energy and inspiration that fueled Bly’s activism, in a time when a woman journalist was relegated to topics deemed gender appropriate. After a brief melodic repose to the begin the movement, bassist Isaac Castillo, and drummer Max Wood provide a rollicking groove, underpinned by the keyboard of Alex Chadsey, demonstrating what is to be a recurring theme throughout the album. After progressing to a brief interlude from Wood, Bly’s words, and quotes are used both in a narrative sense, and in the case of this opening movement, in a melodic sense, with vocalists Valerie Holt and Anne Mathews singing in a mantra like chant, “Energy rightly applied, can accomplish anything.” Boshnack has the unique ability to join the worlds of classical composition, and free improvisation, into a sound that views diametric opposites as strengths, and creates a cohesive narrative voice to express a story, to enable a journey. She uses her trumpet and compositional prowess to create a prose that is perhaps more comparable in form to Whitman and Neruda, than to Miles and Diz. Her narrative pieces are like free verse poetry, with angular melodies, unexpected stops, and abstract poetic cadences, that are ultimately impressionistic and expressive. Without this understanding by the listener, along with knowledge of the social narrative expressed, gaining insight and appreciation for this work may be difficult to attain.

“It is only after one is in trouble that one realizes how little sympathy and kindness there is in the world.” —Nellie Bly

The second movement, “After One Is In Trouble,” is an homage to Bly’s undercover assignment in 1887, to expose the brutality and neglect at the Women’s Lunatic Asylum on Blackwell Island. Working for Joseph Pulitzer’s newspaper, the New York World, Bly feigned insanity to gain entrance to the asylum, and experience the horror, the abuse of this institution first hand. Her work, later published in book form, brought on major change in how the city of New York defined, diagnosed, and treated insanity. The piece begins with an intertwining melody for Boshnack’s trumpet and the clarinet of Beth Fleenor. It is like a solemn march, ever so slightly increasing in pace and volume, that ends in a pulsing percussive heartbeat supplied by Wood. It is if she has arrived at the asylum, awaiting entrance.

“They were being driven to a prison, through no fault of their own, in all probability for life. In comparison, how much easier it would be to walk to the gallows than to this tomb of living horrors.” —Nellie Bly

A sparse melody, intricate bass line, and Woods’ pulsing rhythm conjures images of a growing madness, as if walking down a hallway through the 19th century asylum, Bly seeing the faces of mad sadness, peering in each doorway and becoming overcome with fear and despair. Chadsey’s keyboard distant rant, then walking bass line picks up the pace, heart racing, body numb, the cold concrete and tile walls reflecting the crying and muttering of pain and anguish, and finally, a release. One can then imagine the music as a survivor’s last chance, of holding on to one last shred of beauty before descending into the abyss of institutional madness, an impulse of hope, renewal, escape, the perception of freedom and joy.

“It’s Only a Matter of twenty eight thousand miles I shall be back again.” —Nellie Bly

The album’s third movement, “72 Days,” depicts Bly’s successful attempt to defeat Jules Verne’s fictional record of “Around the World in 80 days.” Starting with a chanting like vocal and trumpet line stating the above quote, the musical narrative expresses clearly the rhythm of the two modes of transport available to her in this time-railroad and steamship. Chadsey tops off the statement with both written and improvised sections, the latter displaying his stellar playing that is truly evident throughout the recording.

“I would rather go in dead and successful than alive and behind time.” —Nellie Bly

This quote is weaved into a mantra like chanting, and beautiful harmonic passage, leading to a meandering, dynamic clarinet solo from Fleenor. Her beautiful tone, and passages that display lightning fast runs, intertwined with vibrato accented long tones, conjures peaceful and joyfully energetic images, imagining a vibrant positivity. To Bly, the huge undertaking required her to be undaunted, to exude the confidence that she would succeed, while the world watched, and hoped.

“Is it possible for us to struggle and overcome fate, or are we merely being swept along a course which all our efforts fail to alter or change?” —Nellie Bly

The fourth movement, “Legacy,” is Boshnack’s homage and tribute to Bly. It illustrates the remarkable impact Bly has had on modern feminism, nearly a century since her passing, and in particular, how this legacy has drawn such a creative and important work from an artist such as Boshnack. The movement as well presents this quintet as one that has worked extensively with Boshnack, bringing out the nuances of this musical statement with conviction and emotion. The quintet expresses an understanding, and commits to a partnership with the artist to such an extent as to create images that have enduring social impact, within a musical context.

Boshnack, both within ensemble playing, and skillful soloing, offers her best playing to date on trumpet, supported strongly by Castillo, Chadsey and Wood. Fleenor, a musical constant in Boshnack’s work in Seattle, plays with unconventional prowess, drawing musical, poetic, and social parallels with the composing artist. The final movement ends on a haunting solo trumpet phrase, that like so many of Boshnack’s pieces, leaves the listener out on the edge, dauntingly lacking finality. It expresses that while much has been accomplished by the feminist movement since the passing of Bly, there is still so much work left to be done. Women still must work twice as hard to gain recognition and attain success, including in the music world. The social narrative to achieve gender equity, is still a story being told loudly, and clearly. The struggle continues, with the courageous activism of Nellie Bly still serving as a beacon of inspiration and persistence to modern “daredevil” artists such as Boshnack. Her ability to create a narrative musically, and truly educate and inspire the listener is rare, and important. It’s part of what makes music a language that unites cultures, and empowers justice.

Also read at All About Jazz

Track Listing: Expositions; After One Is In Trouble; 72 Days; Legacy.

Personnel: Samantha Boshnack: trumpet, vocals; Beth Fleenor: clarinet, bass clarinet; Alex Chadsey: piano, keyboards; Isaac Castillo: bass; Max Wood: drums; Valerie Holt: vocals (tracks 1&3); Anne Mathews: vocals (tracks 1 & 3); Anne Whitfield: spoken vocals (tracks 2 & 4).

Title: Nellie Bly Project | Year Released: 2017 | Record Label: ARC – Artists Recording Collective

Categories
ARC Spotlight Artists

Alchemy Sound Project awarded 2017 CMA New Jazz Works Grant

CONGRATULATIONS

🍾 Congratulations to ARC’s Alchemy Sound Project as a group and label co-founder, saxophonist, educator and composer Erica Lindsay for the award of a Chamber Music America NEW JAZZ WORKS grant funded by the Doris Duke Charitable Foundation.

See the CMA Press Release below:

CMA Press Release

07/31/17

CMA Announces More Than $950,000 in Grants for Small Ensembles and Presenters

For Immediate Release
Contact: Nichole L. Knight
nknight@chamber-music.org
212-242-2022 ext. 106

– – –

New York, NY (July 31, 2017)—Chamber Music America (CMA), the national network for ensemble music professionals, today announced the distribution of $951,545 through its four major grant programs: New Jazz Works and Presenter Consortium for Jazz, supported by the Doris Duke Charitable Foundation; Classical Commissioning, supported by The Andrew W. Mellon Foundation; and the Residency Partnership Program, funded by Chamber Music America’s Residency Endowment Fund.

This funding will provide key support for the creation, performance, and presentation of small ensemble works, as well as support community engagement and audience-building initiatives. The grantees in each program were selected by independent peer panels. A complete list of the 2017 grantees follows:

NEW JAZZ WORKS

2017 New Jazz Works Grantees

Funded by the Doris Duke Charitable FoundationA total of $447,000 was awarded to fifteen jazz ensembles through the New Jazz Works program, which supports the creation of new works by professional U.S.-based jazz artists and helps assure that these compositions will be heard through live performances and recordings.

Alchemy Sound Project (Rosendale, NY)
Composer: Erica Lindsay | Instrumentation: Flute/alto flute, clarinet/bass clarinet, oboe, trumpet/flugelhorn, trombone, piano, bass, drums

Andrea Brachfeld Quartet (Jersey City, NJ)
Composer: Andrea Brachfeld | Instrumentation: Flute/alto flute, piano, bass, drums

Ben Wendel Group (Brooklyn, NY)
Composer: Ben Wendel | Instrumentation: Saxophone, bassoon, Fender Rhodes, guitar, piano, bass, drums

Craig Handy and 2nd Line Smith (Weehawken, NJ)
Composer: Craig Handy | Instrumentation: Saxophone, organ, sousaphone, drums/percussion, guitar, bass

The Curtis Brothers (Weehawken, NJ)
Composer: Zaccai Curtis | Instrumentation: Piano, bass, drums, alto saxophone, trumpet

Ian Carey Quintet + 1 (Richmond, CA)
Composer: Ian Carey | Instrumentation: Flute, bass clarinet, alto/tenor saxophones, trumpet, piano, bass, drums

Joshua Lawrence and Color Theory (New York, NY)
Composer: Joshua Lawrence | Instrumentation: Flute, trumpet/flugelhorn, trombone, alto saxophone, Fender Rhodes, piano, bass, drums

Kendrick Scott Oracle (New York, NY)
Composer: Kendrick Scott | Instrumentation: Soprano/tenor saxophones, bass clarinet, guitar, piano, bass, drums, electronics

Manuel Valera Trio (New York, NY)
Composer: Manuel Valera | Instrumentation: Piano, bass, drums

Martin Bejerano Trio (Miami, FL)
Composer: Martin Bejerano | Instrumentation: Piano, bass, drums

Mickey Bass and the New York Powerhouse Ensemble (New York, NY)
Composer: Mickey Bass | Instrumentation: Bass, vibraphone, alto/tenor saxophones, trumpet, drums

Mike Holober and Balancing Act (Mount Kisco, NY)
Composer: Mike Holober | Instrumentation: Flute, soprano/alto/tenor saxophones, clarinet/bass clarinet, trumpet/flugelhorn, trombone, piano, bass, drums, voice

Piano Iberico (Brooklyn, NY)
Composer: Chano Dominguez | Instrumentation: Piano, bass, percussion/hand percussion (palmas), foot percussion, voice

Samuel Torres Group (Long Island City, NY)
Composer: Samuel Torres | Instrumentation: Percussion, piano, bass, two trumpets, alto/tenor/baritone saxophones, trombone

Vardan Ovsepian Chamber Project (Glendale, CA)
Composer: Vardan Ovsepian | Instrumentation: Piano, flute, viola, cello, double bass, percussion

//

Listen to Alchemy Sound Project

Playlist courtesy of CD Baby distribution and YouTube.

Artists are paid royalties for these plays of their music.

alchemysound-arc-downbeat4stars
Down Beat Review

Also visit – Down Beat online.

About Alchemy Sound Project

Alchemy Sound Project 2
Alchemy Sound Project

Alchemy Sound Project is a collective of composer-performers whose music is a synthesis of jazz and modern chamber music. While the group’s configuration and roots serve as a continuation of the jazz tradition, the members also compose orchestral works, film scores, chamber music and solo pieces for various ensembles and projects across the Americas, Africa, Europe and Asia. Music education, support for the arts and expansion of cultural self-awareness and empowerment are important themes for this group.

Also see – AlchemySoundProject.com

Buy The Music

Further Explorations / ARC-2666 by Alchemy Sound Project. “Further Explorations is an excellent debut from a talented group of composers and players. The goal of jazz/chamber integration is well balanced, primarily because this group has an evident passion for rendering their individual and collective contributions to that organic endpoint. The invention, tonal shading and occasional raucousness on this album give it a warm glow and a sense of fun.” (Karl Ackermann, All About Jazz) Personnel: Erica Lindsay: saxophone; Sumi Tonooka: piano; Salim Washington: saxophone, oboe, flute, bass clarinet; David Arend: bass; Samantha Boshnack: trumpet; Willem de Koch: trombone; Max Wood: drums. Genre: Jazz: Progressive Jazz. Release Date: 2016

Visit – CDBaby.com

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ARC Spotlight Artists New Releases

Arcamone remasters EVOLVE (ARC2802)

Digital Album

Streaming + Download
Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Buy Now $8 USD or more
Send as Gift

1. In View 09:29
2. Burst 16:08
3. Highline 05:36
4. Arrows 10:10
5. Two Sides 08:20
6. Leviathan 11:19
7. Perigee 05:27
8. Apogee 08:18
9. Out View 01:14

credits
released June 23, 2017

Dan Arcamone (Guitar/Compositions)
Sean Nowell (Tenor Saxophone/Effects)
Henry Lugo (Bass)
Kenny Grohowski (Drums)

# # #

Categories
ARC Spotlight Artists New Releases

Chronogram magazine reviews Siegel’s King of Xhosa

Review

The Chronogram’s John Burdick reviews Jeff “Siege” Siegel Quartet’s “King of Xhosa” release.

Listen + Buy = CD Baby

Listen + Buy = CD Baby
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ARC Spotlight Artists New Releases

PRE ORDER Sam Boshnack Quintet’s second album, NELLY BLY PROJECT (ARC-2772)

FOR IMMEDIATE RELEASE

Kansas City – The Artists Recording Collective (ARC) label, is pleased to announce the latest recorded release by Seattle-based composer and trumpeter, Samantha Boshnack.

“Fresh, smart, and bold describe Samantha Boshnack’s Nellie Bly Project. Inspired by the pioneer female American reporter from the late 1800s, Boshnack weaves significant quotes by the journalist into a shifting musical tapestry. Bly (aka Elizabeth Cochran) defined a true woman as “innocent, unaffected, and frank.” While Boshnack’s sound embodies more life experience than what could be described as innocent, listeners will hear an unaffected and frank approach to writing, improvising, and recording…. Boshnack’s music stretches and sings with refreshing strength.” – Steve Griggs, Earshot Jazz.

Sam Boshnack Quintet’s second album, Nelly Bly Project (ARC-2772) is an illustrative and evocative musical portrait of a hero that Boshnack has admired since a young age. Bly was a 19th-century daredevil feminist and journalist who worked within extreme confines to achieve great things for both the subjects she covered (including mental health and prison facilities), and for women in her field.  The album moves between the narrative and abstract, creating an imaginative world that channels Bly’s groundbreaking spirit.

Pre-order

Pre-order Nellie Bly Project! You get 1 track now (streaming via the free Bandcamp app and also available as a high-quality download in MP3, FLAC and more), plus the complete album the moment it’s released, on August 18, 2017

Credits

Samantha Boshnack trumpet & vocal
Beth Fleenor clarinet & bass clarinet
Alex Chadsey piano & keyboards
Isaac Castillo upright & electric bass
Max Wood drums
Valerie Holt and Anne Mathews vocals (tracks 1 & 3)
Anne Whitfield spoken vocals (tracks 2 & 4)

Recorded by Floyd Reitsma at Studio Litho, Seattle, WA
Mixed by Evan Schiller at zulusound, Seattle, WA
Mastered by Ed Brooks at Resonant Mastering, Seattle, WA

Album artwork by Steven Arntson
Album design by Anne Mathews

Press and Media Contact:

sboshnack@hotmail.com | (206)412-7350
# # #

Label Contact:


Artists Recording Collective
Attn: Christopher Burnett, Chief Operations Officer
Post Office Box 47
Leavenworth, KS  66048-0047
Office/Fax: 913.250.5141
Portal: www.ArtistsRecordingCollective.biz

ARTISTS RECORDING COLLECTIVE (ARC) is an internationally recognized brand and professional recording label that emphasizes promoting and facilitating the distribution and utilization of the works created by our members. ARC is a contemporary business model that provides a viable 21st Century Music Industry Platform for artists.

Categories
ARC Spotlight Artists New Releases

Valdez releases Shades of Happiness

Saxophonist David Valdez leads this lyrical, romantic, and sophisticated blend of Modern Jazz, woodwind-heavy Classical chamber music and authentic Latin and Brazilian styles.
Genre: Jazz: Chamber Jazz
Release Date: 2017

Listen + Buy = CD Baby

Visit the store.

Album Notes

David Valdez
(Photo by Robert Wade)
Alto saxophonist David Valdez leads this lush, lyrical and sophisticated Latin Chamber-Jazz ensemble, performing the compositions of Brazilian-born pianist/composer Jasnam Daya Singh, Lee Morgan, and Perico Sambeat.

Valdez grew up in Santa Cruz, California and over the years has lived and worked in the Bay Area, Boston, New York City and Portland. He recently relocated to Kansas City from the Northwest. Shades of Happiness is his second Latin/Brazilian-Jazz album.

Valdez’s first Latin-Jazz CD Oasis, which was released in 2006, received radio airplay in 14 countries. Shades of Happiness is highly orchestrated, relaxed and a romantic album that covers a wide range of styles, including Bolero, Tango, Choro, Afro-Cuban, Boss Nova, Latin Waltz, and Modern Jazz.

The result is a refined and romantic, yet harmonically complex recording with broad appeal. Jazz aficionados, Classical Chamber music lovers, audiophiles, and serious fans of Brazilian, Afro-Cuban and Argentine styles all will find something to sink their teeth here.

Singh’s compositions are an amalgam of influences that include Astor Piazzolla, Romantic Classical composers like Ravel and Debussy, Chick Corea, Keith Jarrett, as well as the sophisticated styles of Rio de Janeiro, where he was raised.

Valdez’s warm alto saxophone is supported by clarinetist/bass clarinetist Harvey Wainapel, a West Coast-based musician who is as deeply immersed in Brazilian music as he is in Jazz. Wainapel has been a lynchpin of the Bay Area Jazz scene for decades and has worked with Joe Lovano, McCoy Tyner, Airto & Flora, Jovino Santos Neto, and Ray Charles.

The rhythm section is rounded out by Phoenix bassist Christopher Finet and Bay Area drummer Mike Shannon, who are both equally comfortable with modern Jazz or Classical music. The intersection of stylistic influences never sounds contrived.

This distinctly Pan-American Jazz album always manages to sound natural and relaxed, even while maintaining the controlled approach of a Classical chamber ensemble.

Credits

David Valdez – alto saxophone
Harvey Wainapel – clarinet, bass clarinet
Jasnam Daya Singh – piano/composer
Christopher Finet – bass
Mike Shannon – drums
Pere Soto – guitar

Recorded July 14th and 15th, 2015 at Supernatural Sound in Oregon City, by recording engineer Sacha Müller.

Mixed in April 2017 by Sacha Müller. Mastered April 14th, 2017 at Specialized Mastering by Dana White.
 
Also, see:
www.davidvaldez.blogspot.com

Categories
ARC Spotlight Artists New Releases

Jazz Ambassador Magazine features ARC Label

LETTER TO THE EDITOR

Larry,
 
We have collectively read the Artists Recording Collective LLC feature article you wrote and published in the June / July issue of Jazz Ambassador Magazine (JAM). 
 
We want to say THANKS to you and the Kansas City Jazz Ambassadors organization for a great article about our company and for this significant recognition of our efforts in the industry.  
 
Respectfully in music,
 
All of the artists at:
Click links below images to read the article.
Read the JAM segment with the ARC article in PDF – HERE.

“Collectively, they continue to define a 21st Century model for a jazz record label.”
Larry Kopitnik, JAM editor writes about the Artists Recording Collective label
(June / July 2017 issue of Jazz Ambassador Magazine)

Read the JAM segment with the ARC article in PDF – HERE.

“Collectively and individually, they are looking forward and breaking the seams of the traditional jazz box.”
Larry Kopitnik, JAM editor writes about the Artists Recording Collective label
(June / July 2017 issue of Jazz Ambassador Magazine)

Read the JAM segment with the ARC article in PDF – HERE.

Long Ago Today (ARC-2116*)

by Sumi Tonooka Trio
with Rufus Reid bass and Bob Braye drums
*this is the debut release by the label

# # #

Visit the Kansas City Jazz Ambassadors online:

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ARC Spotlight Artists New Releases

Live Concert Combines Live Webcast June 6

FOR IMMEDIATE RELEASE

Live Concert Combines Live Webcast June 6

Kansas City USA – The Westport Coffeehouse Theater will be the venue location for a live concert performance by the Christopher Burnett Quartet with special guest, Michael Jefry Stevens at 7 p.m. – 9:30 p.m., June 6.

Tickets are $10 at the door for local audiences and $5 to watch the live webcast online from anywhere around the world.

The live webcast of the concert will begin at 7 p.m. using the Concert Window platform at this link https://www.concertwindow.com/cbjazz

About the event:

Emcee and event producer, Toni Gates will serve as host of the live concert which will feature a program of original compositions by both, Mr. Stevens and Mr. Burnett. The music will be performed by jazz quintet, and selections selected from the following original works:

• Analog Networking (Burnett)
• Breeze (Stevens)
• Dance (Stevens)
• Hauptbahnhof (Burnett)
• Movements (Burnett)
• Only Love (Stevens)
• Parallel Lines (Stevens)
• Perspectives (Burnett)
• Point of View (Stevens)
• The Moffett Family (Stevens)
• The River Po (Stevens)
• Tina Ballerina (Stevens)
• Today This Moment (Stevens)
• Trinity (Stevens)
• What About The Future?

CD Recordings will be available at the ticket table. And, all music is available at the major digital music stores like Apple Music, iTunes, CD Baby, and Amazon. Several compositions will be debut performances.

About the artists:

Pianist, Composer and “Steinway Artist,” Michael Jefry Stevens has released over 80 CDs and composed over 340 works for both large and small ensembles. An active bandleader for over 40 years, his current working musical ensembles include the “Conference Call Quartet,” the “Fonda/Stevens Group,” “Eastern Boundary Quartet,” his collaboration with New Orleans horn man, Brian “Breeze” Cayolle and “Trio Generations” featuring saxophonist Oliver Lake.

Also, see www.MichaelJefryStevens.com

Burnett (Selmer Saxophone Artist), guitarist Charles Gatschet, bassist Andrew W. Stinson, and percussionist Clarence Smith are members of Christopher Burnett’s guitar quartet. The quartet also forms the basis of an international ensemble, The Dino Massa Kansas City Quintet, whose critically acclaimed debut release titled “Echoes of Europe” is available worldwide via the Kansas City-based ARC label. Christopher Burnett’s ensembles have performed at the top venues in Kansas City, and the quartet is also scheduled to perform at the 28th Annual Roots Festival in Paola, Kansas on Aug. 26.

Also, see www.BurnettMusicCompany.com

About the venue:

Westport Coffeehouse opened in 1996 and is a full-service coffeehouse with an exceptional “black box” theatre. Also known as an oasis in the middle of Westport” “Entertainment District,” amenities and attractions include high-speed Internet, theater and comedy events, and live music performances in the Westport Coffeehouse Theater. Drinks are a specialty with choices ranging from smoothies to ice cream and of course exceptional coffees. Grilled panini sandwiches and baking “by Pam” add to the offerings.

Also, see www.WestportCoffeehouse.com

Event Details:

Westport Coffeehouse Theater and the
Artists Recording Collective label present

Christopher Burnett QUARTET

+ Michael Jefry Stevens

IN CONCERT

TUESDAY JUNE 6 / 7 P.M. + Video Recording

Westport Coffeehouse Theater
4010 Pennsylvania Avenue
Kansas City, Missouri 64111

816.756.3222

$10 cover at the door
$5 webcast cover online

Contact:
operations@artistsrecordingcollective.biz

www.ArtistsRecordingCollective.biz

# # #

Cost: Payment required – Christopher Burnett Quartet + Michael Jefry Stevens at Westport Coffeehouse Theater in KC – LIVE online show Tuesday, June 6th at 8:00 pm EDT 7:00 pm CDT. NOTICE: CONCERT WINDOW TICKETS ARE FOR THE LIVE STREAM ONLY. THE LIVE STREAM IS A WAY TO BE “AT THE CONCERT” NO MATTER WHERE YOU ARE IN THE WORLD! JOIN US. WE WILL STREAM A SEGMENT OF THIS EVENT BEGINNING AT 7:00 PM CST.

TWO AUDIENCE OPTIONS

+ Live Webcast Ticket $5 (pay online)

+ Live Concert $10 (pay at the door)